I remember when the Lost Boys came out in 1986; there were
all these video store vampire reissues. Everyone was trying to cash in on
vampire mania, just like today. One box that caught my attention was Vampyres
with the small tag line in familiar font that read: They’re “lost Girls”. OK, I
thought, what the hell, let’s check it out. I took the video home and settled
in for some horror antics, not a film to watch with the family.
Vampyres starts off with a bang, in every sense of the word
as two women are making love in the bedroom of a large mansion (again, yes, all
women were bi-sexual on film, in the seventies). Suddenly, an unknown assailant opens fire on
them, killing them both. See, a bang I
tell you. This appears to be the origin of the vampire couple, who now haunt
the castle and feed on the blood of many a male victim.
Actually, it is a story really about how five separate lives
(and unlives) converge to a very unpleasant end. Besides our two living dead
beauties, we have Ted (Murray Brown), a passing motorist who falls victim to
our lesbian vampire couple and likes it so much, the guy just won’t leave, or
die. Plus a young couple named John and Harriet (Brian Deacon and Sally
Faulkner) who set up camp in the wooded area near the castle so they can relax.
Harriet is a painter and a little on edge, John wants to fish and really
doesn’t care about much else. Harriet spies our two cloaked beauties wandering
the grounds at night, but John doesn’t really care, he thinks she is
overreacting, that’s never good.
Vampyres really has no equal in the gothic horror arena. The
nature of Fran (Marianne Morris) and Miriam (Anulka) is never explained, but it
seems they are most likely ghost who need to feed on living blood to stay
material. Also there is the sexuality, usually found in many 1970’s films as
just sleaze to keep you interested (not that I mind). In this film it is a
central theme, making the sex much more interesting and dangerous. And there is a lot of sex in this film, but it has
meaning other than the sake of showing naked flesh, it’s what binds the girl’s
relationship together and ultimately may be tearing them apart.
Director Jose Larraz turns things on its ear in Vampyres. It
all at once discards the gothic traditions and enforces the esthetics to create
a vampire that truly is original in behavior. The characters may not be as
fleshed out as one would like but he more than makes up for this with mounds of
atmosphere and eeriness. Harry Waxman’s cinematography lurks through the gothic
landscape creating a feeling of uneasiness that is enhanced by composer James
Clarke’s score. The primary location, the gothic mansion, is in actuality Oakley
Court, famous for several Hammer films and as Dr. Frank N Furter’s castle in
The Rocky Horror Picture Show (1975).
Vampyres may be the best lesbian vampire film ever made, out
doing Hammer’s entire Karnstein Trilogy
of films with one blow. Many people feel that there are a lot of plot
holes and inconsistencies but watch it again with a different and open
mindset, I think you will be surprised. Not to say that
it doesn’t have its flaws, but the plot is presented secondary to the
visual
nightmare. Like a (un)living painting that penetrates your primal
senses. Thanks
to the VHS box, I never watched the Lost Boys the same way again. Every
time I
reach for it, I put this film on instead.
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