“The coldness of the grave is in my blood”
During the late 60’s and early 70’s it seemed that every
film that came out had living dead affixed to the title. As films were brought
over and retitled, distributors felt it was a sure fire way to get buts in the
seats. Night of the Living Dead had just been a huge hit. This made the pre
internet days of tracking down sources extremely slow and near impossible. 1969’s
Malenka is such a film.
Sylvia (Anita Ekberg) calls her finance, Dr. Piero Luciani (Gianni
Medici)to inform him that she has inherited a Castle and Title. She is now a Countess.
WOW talk about winning the family death lotto! So she travels to the country
and stops in at the local Inn for a beer. While there she meets a couple of barmaids,
Bertha (Diana Lorys) and Freya (Rosanna Yanni) who flirt with her a little before
she ruins the party. How does she do that? Well by saying that she’s staying at
the local castle, she’s family! Wow you can almost hear the record skip as
everyone stops what they are doing with mouths a gasp.
After dropping that bomb she makes her way to the castle to
meet her Uncle, the Count Walbrooke (Julian Ugarte). Later she is awakened by a
busty brunette creeping into her room named Blinka (Adriana Ambesi), who tells
her that her Uncle is 100 years old and means her harm. Sylvia is not amused (I
wonder why), but Blinka persists none the less and entrances her. Just as she
is ready to make her move (yes every woman was bi in the 70’s), she is caught and
dragged out by the Count. Following him, Sylvia soon comes to a room where The
Count is whipping Blinka. Sylvia urges him to stop but he shows her what Blinka
really is…a vampire!
In the morning, Sylvia, having had quite a first night, is
ready to leave. The Count tells the story of Malenka, her aunt who was burned
at the stake for being a witch. Now that’s an interesting family. She also
happens to bear a striking resemblance to Malenka as is told that because of
her ties to the family, she must remained cursed and unmarried. Since she is virginal
and naïve, she buys into this and breaks off her engagement.
Peiro is taking this laying down. He travels to the same Inn
where our friendly neighborhood barmaid Freya fills him in on the entire goings
on, it appears that her sister, Bertha has been killed but she still fears the
worst. Meanwhile, Sylvia is trapped in
the castle as the Count tries attempts to force her to perform a ritual that
will make her immortal. While running from the Count, she is approached by
Bertha, now a vampire! Poor Sylvia should have stayed home.
After a brief reunion, Sylvia finds herself back at the castle
as Peiro and his band of Doctors turned vampire hunters set out to destroy the
vampiric madness and save her once and for all.
Fangs of the Living Dead aka Malenka was made by Spanish
director Amando de Ossorio, famous for the Blind Dead films. Though some people
feel that this is a lesser film, I feel it is an atmospheric romp allowing
itself to have fun with the genre without being comical. Let’s look at the people who gave us this
Flesh and Fangs parade.
Anita Ekberg, famous for her role in La Dolce Vita, where
she also plays a woman named Sylvia, captures the screen. There is just
something saucy about her. Diana Lorys as Bertha is fun and sexy, and gives
Blinka a run for her money. I enjoyed her in the Awful Dr. Orloff and I’m glad
she was here. Also on hand is Rosanna Yanni who plays Freya is the spitting
image of Adult film star Janine, was also one of the film’s producers and
presents a strong presence. And she would, be having worked time and again with
Jess Franco. Other cast members like Adriana Ambesi (Bertha) are interesting and
definitely gets our affection. This is another case of the women stealing the
show and she definitely does her part.
Gianni Medici is kind of wasted, never really doing anything
to heroic. He’s likeable enough though. And he was brave enough to do that
strange bondage seen. César Benet as Max provides the comic relief and
secondary love interests for all the buxom women running around this cursed
village.
I really liked this film. It’s not perfect but it’s a good
time with decent sets and a plot that keeps moving. Part Horror Hotel and part
Carmilla, its influences are apparent. Those of you looking for nudity will be disappointed;
there isn’t a bare boob in the house. Not a complaint, just an observation. All
in all it’s a nice slice of gothic cheesecake. Enjoy.
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